Archive for April, 2007

As promised…

… photos from the Autocord.
Having processed the film, I’ve come out with four (at least) useable negatives. Given that the camera’s new to me, and that I ended up with less than twelve photos anyway (one useless, due to the sticky tape used to attach the film to the spool being left in the developer; one blank, due to winding issues), I’m more than happy with the results. The scanned images do the prints (and negatives) no justice.
Canalside “Coom99″ In bloom

Less is..?

After having the Autocord for over a year, I finally got off my backside and put a film through it. This venerable TLR does have stiff focussing (a common fault with Autocords, apparently), but it was a pleasure to be able to see a subject going in and out of focus. Furthermore, it’s fully mechanical, no battery whatsoever. However, I was unable to get any speed up with the camera, I’m not used to correcting a reversed viewfinder image.

Also, if I could make exposure and composition errors with the Leica, those luxuries were unavailable to me with the Autocord. With only 12 photos on the roll, no hopes of deleting a bad photo, there really was no room for error. Thankfully, the resulting filmstrip shows no exposure errors, focussing problems also seem to be missing. I’m also sold on the negative size. No squinting through single-lens magnifiers, you can plainly see what’s in (and out of) focus.

The “just under a year out of date” FP4+ also showed me that film sell-by dates can be overlooked. That roll wasn’t even kept in a fridge. It was subjected to the heat of last summer (and the summer before that, the film was bought to be used in a Kodak folder… or a Zeiss Ikon folder), along with comfortable (to myself) temperatures.

Less is… a learning curve, and an enjoyable one at that. Now to buy a TLR that handles 220 film…

Photos to follow…

(an)alogy…

Photography is like wet-shaving….
Nearly a century
Preparation makes for a more enjoyable session.
Don’t rush, you’ll not regret the results.
Penny-pinch on materials, you’ll know about it.
Over time, you’ll get better.

Discuss.

From the East Lancs Railway…

A couple of photos taken at the East Lancs Railway, using the Leica Standard…:
Chatting Sharing a joke

The film taken at the ELR was a wake-up call to myself. Having used just digital for a number of years, it was glaringly obvious that I now only get one chance at a photo… blow it and a film frame is wasted. Time marches on, you can’t ask time to go back a few seconds and wait, whilst you get ready. You’re either ready or you’re not.

Along with that, no autos, no machine-gun 3fps. A sudden sense of urgency was felt. Out came years-dormant film-based photography skills. But, now knowing I had no battery to rely on, there was a feeling of reliance I’d long forgotten (thanks to returning to cameras that depend on powersources).

Yessir, it was a wake-up call, but a pleasant and refreshing one at that.

Rant mode: on

It’s safe to say I dislike the RAW format. The reasons…?

  • Format-lock Creators must release decoding/software specification, or else the format is locked to manufacturer software. Nikon are already noted for not releasing software specifications for one of their raw formats. Along with this. manufacturers have no reason to continue supporting their various raw formats for any length of time. Canon have already dropped support for early RAW formats.
  • Skills Get the photo right in the camera. Raw allows you to make mistakes, speed does not make you a better photographer. More on this later.
  • Digital noise levels These get adjusted/resolved in raw processing software. Does your all-singing camera not do this?
  • White balance You’re *certain* that white point was actually white? Did you take a photo of the whitepoint? If you did take a photo of the whitepoint… er…
  • Data loss Data lost is lost data. Blown highlights and/or dense shadows cannot be recovered, regardless of data manipulation. That’s how it is.
  • Compression Raw files are not straight data dumps from the sensor. They’re compressed, allegedly with lossless compression routines. No compression is lossless, sorry. Furthermore, if the cameras processor compressed the file… what else did it do?
  • Money You’ve paid for that raw convertor software, right? Or, why don’t adobe package a raw convertor in with their art packages?
  • Final results Don’t assume raw will save you from producing a poor photo. Photo composition isn’t a skill that can be downloaded. A good photo is not a bad photo, and vice-versa. Again, that’s how it is.
  • Money How’s the imagebank holding up? Hard drives have a nasty habit of failing, through wear and tear. They also don’t like physical knocks.
  • One more stage Raw files still need to be processed. One more “link in the chain”. And the chain is only as strong as the weakest link.
  • Experience Get to know what the camera can (and will) deliver, why use raw? That takes time though, doesn’t it?
  • Snobbery Whatever floats your boat, I suppose. I get the photo right in the camera though, how about you?
  • When the raw format allows you to readjust your position/viewpoint after having taken the photo, I’ll re-assess the above opinions. Until then… I’m pro-jpg!

    Rant mode: off… for now.

    Vintage stuff

    Can’t explain why I like this photo…
    smiths-speedo.jpg
    Could it be that it’s in black and white (or near as damnit)? It’s something from a bygone era? Nope, it’s the fact that the speedometer didn’t actually fit with the rest of the motorbike.

    Yet, there it is. The motobikes owner obviously wasn’t bothered with (or could do nothing about) its looks.

    Recognised

    “… that a larka?”

    Whilst on the East Lancs Railway, heading home from Ramsbottom, the Leica out of the camerabag… ready for a grabshot (which didn’t turn out, for what it’s worth), some guy heading for retirement age uttered that question.

    Smiling, I replied “Yep, it’s a 1938 Leica Standard”.

    “Ah… yer can tell… larka qualati”, he commented, whilst putting his DSLR away.

    Previously on the ELR, nobody’s batted an eyelid whilst I’ve weilded my 350D. That DSLR might as well not exist, in the eyes of some photographers. I’m just another snapshotter, using commonplace “all singing/dancing/dishawashing plasti-technology”. Unless it’s weilding some big white APO lens, with the Canon logo slapped on it somewhere, which inevitably costs money… and requires trips to the gym.

    No thanks. Eva’s going to be used a bit more than what I’d originally planned, when I bought her.

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